Keyboard Fantasies (12A)

“How could music that beautiful have been forgotten for so long?” – Caribou.

As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realised far before its time.

Three decades on, the musician – now Glenn Copeland – began to receive emails from people across the world, thanking him for the music they’d recently discovered. Courtesy of a rare-record collector in Japan, a reissue of Keyboard Fantasies and subsequent plays by Four Tet, Caribou and more, the music had finally found its audience two generations down the line.

Keyboard Fantasies sees the Glenn Copeland commit his life and music to screen for the first time - an intimate coming of age story spinning pain and the suffering of prejudice into rhythm, hope and joy.